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This collection contains the administrative papers of the women's art gallery, Center/Gallery. The folders contain the newsletters, calendars, meeting minutes, bylaws, budgets, and grant seeking applications of the organization. A significant portion of the collection contains newspaper clippings, flyers, and advertisements for the various exhibits, workshops, and sales held there. A limited amount of photographs are available for specific events.
The collection represents a selection of Clare Romano’s artistic production, consisting of twenty one works, including 12 collagraph prints, 7 paintings and drawings, and 2 three-dimensional sculptures. There is also a small amount of archival material, including correspondence and sketches.
This collection consists of the correspondence and personal papers of Diane Burko, a Philadelphia-based painter and photographer. The collection documents Burko's work as an artist, her tenure as a professor, and activity in local and national art organizations.
The collection is comprised of oral history interviews conducted by students of the feminist historian Gloria Orenstein between 2006 and 2012. Of special interest are additional materials provided by the interviewee Anne Gauldin, documenting the feminist performance groups The Waitresses and Sisters of Survival which were active in the 1970s and 1980s.
The Janet Indick Papers document Indick's career as a New Jersey painter and sculptor. They contain records relating to awards, fellowships, exhibitions, donation and sale of artworks, publicity and press materials, and artistic organizations. Types of materials include correspondence, exhibition catalogs, applications, donation agreements, fliers, pamphlets, postcards, newsletters, and magazines. The collection highlights Indick's identity as a Jewish artist and as a woman artist.
The New Jersey Regional Zine Collection is composed of various zines, buttons, and stickers made by New Jerseyans and individuals in the tristate area from 2011-present. The collection attempts to document the resurgence and content of alternative media in Do-It-Yourself communities, minority communities, artistic communities, and feminist communities. The collection continues to grow through donations and purchases.
The collection is composed of 23 sketchbooks from feminist artist and educator, Nancy Azara's class "Consciousness-Raising, Visual Diaries, Art-Making Workshop." The students would draw and respond in their sketchbooks to women who were sharing their experiences as women and as women artists. Through this exercise, students strove to find an authentic artistic style.